AI, Psychosis, Capo Ferro + Full Scale Sword Drawing


A Historical Fencing Master and AI?

Hello fellow sword enthusiasts, researchers, and history aficionados,

I know the title of this newsletter might read like clickbait—what on earth is the connection between the Italian late Renaissance fencing master Ridolfo Capo Ferro and Artificial Intelligence? Dr. Marc Heimann, philosopher and swordsman, offers an intriguing approach to understanding AI in his recent paper, which I’ve linked below. But first, let me introduce a new way of sharing my work and research with you.

Read on to learn more, and I hope you find it both useful and worthwhile.


Full-Scale Illustration and Stats of a Beautiful Renaissance Sword

Patreon has recently introduced a new feature called one-time purchase, allowing you to access exclusive content from individual posts with a single payment. To give this a try, I’ve selected my original full-scale illustration of a stunning Italian Renaissance sword, probably made in Ferrara around 1500. This is one of the most beautiful bladed weapons I have ever encountered.

You can now access high-resolution scans of my drawings for a special introductory price of just $9.99. The files print in high quality and at full size, preserving the sword’s original dimensions.

This kind of content is unique and not available anywhere else. If you find this concept appealing, I’ll be making more works available in the future, which will be added to the relevant collection for easy access. Of course, I’d prefer to share all my content with you for free, but I have to make a living somehow! So thank you for your purchase. I’d also like to take this opportunity to express my heartfelt gratitude to all my loyal supporters on Patreon, who make my research possible in the first place.

A quick note for iOS users: Apple charges an additional 30% fee for any in-app purchases made through Patreon, so you’ll be charged $14.50 instead of $9.99, unfortunately.

If you’re unsure about anything, need assistance, or have any other inquiries, don’t hesitate to get in touch—I’m here to help.


"I cannot stand this AI stuff!"

Do you share this sentiment? I’ve found that many people have strong feelings about this technology, and I completely understand. After all, AI has disrupted my work, just as it has for my multi-lingual friend Geeske, who used to make a living as a professional interpreter. AI is here to stay, though, and it will undoubtedly have a profound impact on our work and society in the not-so-distant future. If your expertise is based on generic knowledge, AI can take over your tasks—so it’s no surprise that this technology causes anxiety and resistance.

But emotions and denial won’t help. Understanding will. In his paper, Marc Heimann offers fascinating insights into how Large Language Models (LLMs) like GPT-4 generate text. One particularly interesting point is that LLMs have no concept of negation. Unable to express a lack of knowledge, the system inevitably begins to "hallucinate" a response, without being able to distinguish between this hallucination and actual facts. Heimann outlines the parallels to psychosis and explains how this perspective can help us better understand and guide AI.

Admittedly, it’s not an easy read, but it’s certainly an intriguing one. My conversations with Marc after fencing training have definitely helped me gain a much better understanding of AI’s capabilities and shortcomings—how to approach it, use it, and what to expect from it in the future.

So, where does Capo Ferro come in? Well, you’ll find the answer in the introduction to Marc's paper.


So, that's it for today. Take care, and keep your blade well-honed, be it digital or of proper steel. Or bronze.

If you enjoyed this newsletter, please recommend it to your friends. They can sign up here or on my website. Or simply forward them this email.

To learn to fight, consult our sword & buckler online course.

If you wish to read more, find hundreds of related posts on my Patreon. Special thanks to all my loyal supporters on Patreon – you keep me going! And if you are not a patron yet, you are most welcome to join.

If you feel like dropping a coin into my tip jar, you can do so here. Thank you for your time and your interest.

Yours,

Roland


You are receiving this newsletter because you have signed up for it, or because you have previously expressed your interest in my work and events. If you prefer to not receive further emails, you can unsubscribe below.


Dimicator

I’m Roland Warzecha — professional illustrator and swordsman. The name Dimicator comes from the Latin for “sword fighter.” I share cutting-edge research into historical martial arts, focusing in particular on Viking and high medieval sword-and-shield combat. My work is carried out in collaboration with museums, fellow martial artists, and scholars around the world.

Read more from Dimicator

When History Gets Distorted – And Bucklers Get Raised Train, Fence, Connect – Berlin Buckler Bouts 24 Await! Dear fellow history enthusiasts and sword-and-shield fighters, in this edition, I invite you to take a closer look at how history is sometimes bent out of shape—whether in glossy TV dramas or even academic projects—through my two recent posts on Distorted History. At the same time, I’m delighted to share that registration is now open for the 24th Berlin Buckler Bouts this November—our...

Join the Ribe Bouts! Spear-and-shield workshop at the 2024 Ribe Bouts Hello sword-and-shield enthusiasts, I am delighted to announce that the Ribe VikingeCenter will once again host the second Ribe Bouts from 17–19 October 2025. All meals will be prepared authentically on site. This unique event combines the practice of historical martial arts with a full-time living history experience. You can find more details and many images in my dedicated post—feel free to share the link with your fellow...

Don’t strike the initial blow from your right, if you are left-handed! My friend Ingo Petri with a left-handed schiavona from the collection of the Veste Coburg Hello fellow history enthusiasts and martial artists, The above advice comes from the late medieval German Fechtbuch Hs 44 A 8. On folio 11v, the author offers general tips on how to fight in a duel between a right- and a left-handed combatant. Clearly, left-handed fighters were a historical reality—something also supported by the...