A Historical Fencing Master and AI?Hello fellow sword enthusiasts, researchers, and history aficionados, I know the title of this newsletter might read like clickbait—what on earth is the connection between the Italian late Renaissance fencing master Ridolfo Capo Ferro and Artificial Intelligence? Dr. Marc Heimann, philosopher and swordsman, offers an intriguing approach to understanding AI in his recent paper, which I’ve linked below. But first, let me introduce a new way of sharing my work and research with you. Read on to learn more, and I hope you find it both useful and worthwhile. Full-Scale Illustration and Stats of a Beautiful Renaissance SwordPatreon has recently introduced a new feature called one-time purchase, allowing you to access exclusive content from individual posts with a single payment. To give this a try, I’ve selected my original full-scale illustration of a stunning Italian Renaissance sword, probably made in Ferrara around 1500. This is one of the most beautiful bladed weapons I have ever encountered. You can now access high-resolution scans of my drawings for a special introductory price of just $9.99. The files print in high quality and at full size, preserving the sword’s original dimensions. This kind of content is unique and not available anywhere else. If you find this concept appealing, I’ll be making more works available in the future, which will be added to the relevant collection for easy access. Of course, I’d prefer to share all my content with you for free, but I have to make a living somehow! So thank you for your purchase. I’d also like to take this opportunity to express my heartfelt gratitude to all my loyal supporters on Patreon, who make my research possible in the first place. A quick note for iOS users: Apple charges an additional 30% fee for any in-app purchases made through Patreon, so you’ll be charged $14.50 instead of $9.99, unfortunately. If you’re unsure about anything, need assistance, or have any other inquiries, don’t hesitate to get in touch—I’m here to help.
"I cannot stand this AI stuff!"Do you share this sentiment? I’ve found that many people have strong feelings about this technology, and I completely understand. After all, AI has disrupted my work, just as it has for my multi-lingual friend Geeske, who used to make a living as a professional interpreter. AI is here to stay, though, and it will undoubtedly have a profound impact on our work and society in the not-so-distant future. If your expertise is based on generic knowledge, AI can take over your tasks—so it’s no surprise that this technology causes anxiety and resistance. But emotions and denial won’t help. Understanding will. In his paper, Marc Heimann offers fascinating insights into how Large Language Models (LLMs) like GPT-4 generate text. One particularly interesting point is that LLMs have no concept of negation. Unable to express a lack of knowledge, the system inevitably begins to "hallucinate" a response, without being able to distinguish between this hallucination and actual facts. Heimann outlines the parallels to psychosis and explains how this perspective can help us better understand and guide AI. Admittedly, it’s not an easy read, but it’s certainly an intriguing one. My conversations with Marc after fencing training have definitely helped me gain a much better understanding of AI’s capabilities and shortcomings—how to approach it, use it, and what to expect from it in the future. So, where does Capo Ferro come in? Well, you’ll find the answer in the introduction to Marc's paper.
So, that's it for today. Take care, and keep your blade well-honed, be it digital or of proper steel. Or bronze. If you enjoyed this newsletter, please recommend it to your friends. They can sign up here or on my website. Or simply forward them this email. To learn to fight, consult our sword & buckler online course. If you wish to read more, find hundreds of related posts on my Patreon. Special thanks to all my loyal supporters on Patreon – you keep me going! And if you are not a patron yet, you are most welcome to join. If you feel like dropping a coin into my tip jar, you can do so here. Thank you for your time and your interest. Yours, Roland You are receiving this newsletter because you have signed up for it, or because you have previously expressed your interest in my work and events. If you prefer to not receive further emails, you can unsubscribe below. |
I’m Roland Warzecha — professional illustrator and swordsman. The name Dimicator comes from the Latin for “sword fighter.” I share cutting-edge research into historical martial arts, focusing in particular on Viking and high medieval sword-and-shield combat. My work is carried out in collaboration with museums, fellow martial artists, and scholars around the world.
Hello fellow bucklerista, You are most welcome to sign up for an action-packed weekend of sword & buckler fencing with practitioners from all over the world. The next BBB are scheduled for the weekend of 30/31 May 2026. Find info on the event and registration here: Go to Event Post We are looking forward to fencing and celebrating international friendship with you at the Berlin Buckler Bouts. Ralf, Roland & the Twerchhau team Attendees of the 24th BBB. Get the group photo here.
The Endless Cycle Pierpont Morgan Library, New York, MS M. 638, fol. 38r (c. 1250) Dear history enthusiasts, When this newsletter goes out, I will be on the road, heading home from my mother’s funeral. She passed away last week, in the company of loved ones, only moments after receiving her final blessing. At first, I was reluctant to share something so personal. But then I realised that this is precisely what history is about: the endless cycle of arrival and departure, the story of those...
A Kingdom for a Horse! It could be worse: it could be raining! Hello history enthusiasts, My fellow illustrator Oliver Wünsch and I are still busy exploring new AI-assisted opportunities for visual storytelling. We feel it is the best way to spend our time now that traditional illustration work has largely vanished, thanks to generative AI. The good news—at least for us—is that our particular application of AI still requires artistic skill as well as archaeological and historical expertise....