The Geometric Logic of Bronze Sword HiltsHello scholars of archaeology and practitioners of historical swordsmanship, The way technical requirements and socio-cultural influences have shaped the sword throughout history continues to fascinate me, and it remains a central focus of my research. For my book, I am now exploring the origins of ergonomic design. Fellow researcher Holger Heid recently pointed me towards surviving Bronze Age sickle handles carved from wood. Their shape is absolutely remarkable—strikingly reminiscent of modern sports pistol grips. If ever there was doubt that tools were crafted to fit human anatomy millennia before the term ergonomics was even coined, this is compelling evidence. But there is more to Bronze Age design. Jewellery and weapons from this period are adorned with refined geometric ornamentation, and over the years, scholars have proposed various interpretations of their meaning. However, I am not aware of any study that has examined the geometric correlations in the overall shape of Bronze Age swords. So, following the example of Peter Johnsson, I decided to investigate. My initial findings were striking: two randomly selected hilts from the most comprehensive catalogue of Nordic Bronze Age swords, compiled by Jan-Heinrich Bunnefeld, revealed intriguing correlations between the size of the distinct circular cavity at the base of the hilt and the sword’s overall dimensions. But that was just the beginning. Fellow swordsman and researcher Mikkel Mønsted, who is also an engineer, noted that the semicircular arrangement of rivets securing the hilt to the separately cast blade distributes shear stress far more effectively than a linear formation, where the outermost rivets would bear a much greater load—especially when cutting. This suggests that the characteristic round widening of the blade shoulders and the rivet arrangement were the result of technical considerations rather than aesthetic ones. Any subsequent aesthetic principles would have had to integrate this structural necessity and build upon it. And indeed, even within this tiny random sample, the diameter of the hilt shoulders in combination with handle width appears to serve as a base unit, with all other measurements derived from it. This is a prime example of form following function and culture—something Jan-Heinrich Bunnefeld and I are eager to investigate further. To read the original post and comments, visit my Patreon. While you're there, consider signing up for free membership to ensure you never miss a public post.
Berlin Buckler Bouts 23The next BBB are scheduled for the weekend of 24–25 May 2025. You are warmly invited to join us for an action-packed weekend of sword & buckler fencing alongside practitioners from around the world. This time of year is particularly popular with Berlin tourists, and affordable accommodation may book out quickly. We recommend securing your lodging as soon as possible. We look forward to welcoming you and celebrating the sword arts and international friendship with you at the Berlin Buckler Bouts. Find full event details and registration in my dedicated post.
New I.33 Online Course Coming Soon!Polish your shields and save your pennies! Only a few more days until the release of our new I.33 sword & buckler online course, covering the plays of schutzen against second & third ward. If you haven’t yet joined the community, now is the perfect time: take advantage of a special 35% discount on Course 1, which covers the plays of half-shield against first ward!
So, that's it for today. Take care, and keep your blade well-honed. Thank you for your time and your interest. If you enjoyed this newsletter, please recommend it to your friends. They can sign up here or on my website. Or simply forward them this email. Special thanks to all my loyal supporters on Patreon – you keep me going! And if you are not a patron yet, you are most welcome to join. If you feel like dropping a coin into my tip jar to support my work, you can do so here. You are receiving this newsletter because you have signed up for it, or because you have previously expressed your interest in my work and events. If you prefer to not receive further emails, you can unsubscribe below. |
I’m Roland Warzecha — professional illustrator and swordsman. The name Dimicator comes from the Latin for “sword fighter.” I share cutting-edge research into historical martial arts, focusing in particular on Viking and high medieval sword-and-shield combat. My work is carried out in collaboration with museums, fellow martial artists, and scholars around the world.
I Watched FIORE 2! To sword enthusiasts like you and me, filmmaker Alberto Mattea is probably best known for his celebrated, award-winning 2022 short film Fiore. I have written about the long-awaited sequel in previous newsletters. Thanks to Alberto's generosity, I had the privilege of being among the chosen few who have already enjoyed a pre-release screening. The film picks up exactly where the first instalment left off: at an inn where Fiore has just made the acquaintance of Galeazzo da...
Hello historical arms enthusiasts, First of all, a big thank you to everyone who purchased our new Spear & Shield Combat online course, and to everyone who followed us through the launch campaign! Your special gift should have arrived by now. I hope you will enjoy it! And apologies for a little digital hiccup that may have caused the gift email to land in your inbox twice. No worries — you're welcome to keep both! Now, on to some swords, upcoming events, and a glimpse behind the scenes of two...
Hello history enthusiasts and fellow fighters, just a quick heads-up: Spear & Shield Combat is now live! Arttu Peltoniemi and the Hirdmenn team have put a tremendous amount of research, experimentation and training into this system, and I am very happy to finally make their work available through Dimicator School. The 41% launch discount runs until midnight on 11 October. Explore Spear & Shield Combat There are several free previews, including a video chat with Arttu about his approach and...